(The set is optimized for the Audix Fireball-V mic, but we’re even throwing in a bonus patch designed expressly for the Green Bullet mic.) That’s less than 50 cents per patch for a set that’s got gig-ready patches that will cover a wide range of blues, R&B, rock, pop, folk, and jazz styles! These sounds are road- and studio-tested. We’re selling the full set of Hunter’s 40 gig-ready patches, ready to go, for the RP100/100A/200/200A, for a grand total of $20! Want the full set of 40 patches that Richard Hunter has on his own RP200? Here’s the RP200 patch used to do those jaw-dropping pitch bends in Hunter’s October 2002 release, Pull of the Moon: a “hard” Stack amp model with a deep amped tone and a deeper Whammy effect.Here’s the RP200 patch used for all the lead lines in Hunter’s August 2002 release, In the Thick: a Boutique amp model that gives the harp a big rock lead-guitar sound, kinda like the way a Les Paul sounds through a Marshall amp, bouncing off the walls of a stadium.Smooth, traditional stuff, cuts right through a mix, great for blues and R&B. Here’s a new RP200 patch used throughout Hunter’s July 2002 release, Spiritual: a Blackface amp model that sounds like instant Taj Mahal circa 1970: amped, punchy, but not too heavily distorted.Click here for an Envelope Filter effect setup for the Digitech RP100/200/300 that’s KILLER for rock and jazz! This patch is all over Hunter’s June 2002 release, Sade Tekno!.Whether you’re a subscriber or not, get your patches here: (The subscription list is no longer active.) We began in June 2002 with a setup for the Digitech RP200 multi-effects pedal that Hunter used for The Slide Song and Sade Tekno, the electric pieces that he released to subscribers to the Jacked In series of recordings in May and June 2002, respectively.

If you want to know what setups were used to get the sounds you hear on Hunter’s electric harp pieces, you’re in the right place!

Digitech rp100 patch library